
See, you’re telling me,
all we are is echoes. The remains
of yesterday’s gods are tangled
in your eyeslipshair electric and all I am
is footnotes. I live in narrow margins, that crisp dry cycle
of a mustard laundromat, a caesura slicing poets
across their silver tongues, all cacophony and no bite—
the orchestra is tuning its violins to the sound
of your voice, the blessings of a false
prophet and his luminous beings, wailing
deicide, deicide, deicide—
(Perhaps I am a better anecdote than human.)
See, I live with lions, you’re telling me, and I don’t
pull my punches, and I’m smiling because I live
in a polyphony of red and your prayers come
with teeth: the whispered apology of satin on skin—
I have no time for your devotionals. I have saints
of my own. I dance with them when you have not
kissed away the ghost
of a body electric. I once sang
with swamp water and radiant light. (I came
with open palms, sap-stained longing, knew you
were a fletchling aching for flight; I am not holy enough
to save you.) See, I am burning, you’re whispering
through corrupted lungs, and sooner or later I’ll burn
you alive. And I thought, Rat-a-tat girl, you taste
like gunpowder, and I have always loved
smoke.
allie humphrey
Rat-a-Tat
Allie Humphrey lives in Charlottesville, Virginia.